Ways of Seeing covers the six elements of film style and introduces students to identify and to analyze those elements in narrative and non-narrative film.
Tuesdays, 9:30 AM – 12:20 PM
Film Video Building, Room 102
Tuesdays, 12:30 - 1:30 PM
East Building, Room 207
By appointment only
The following book is available for purchase on online retailers and on reserve at the Pratt Library.
All of the in-class films screenings, with the exception of Allures and The Sweet Hereafter, are available on reserve at the Visual and Multimedia Resources Media Library on lower level of the Brooklyn campus library.
We will not be using the LMS for this course.
This class consists of five components. You cannot satisfactorily complete this course without all five of these.
At each class, we will cover material I expect you to know for the midterm exam and your assignments. I will present on the historical and cultural context relevant to the films covered that particular week.
Each week, there will be an in-class screening. A good number of screenings are available online at sites like YouTube or Internet Archive, and you might able to able to purchase titles from stores such as Amazon. However, the greatest value of this class comes from our watching films and discussing them as a group, in the context of other films, readings, and spontaneous conversation.
Please read the assigned course material before each week’s class. Consult the Course Schedule, listed below, for the required reading assignments.
The midterm exam will be administered in class and is designed to reward regular attendance and diligent studying. There will be an in-class screening portion, along with a take-home portion due at the beginning of class the following week.
All assignments must be completed on time in order to receive full credit. Late assignments will be penalized by a 10% reduction for each 24-hour period it is late. After seven calendar days, the assignment will not be accepted and you could fail this class.
Regular attendance is required.
Students must adhere to all Institute-wide policies listed in the Bulletin under “Community Standards” and which include policies on attendance, academic integrity, plagiarism, computer, and network use.
Absolute integrity is expected of every member of the Pratt Community in all academic matters, particularly with regard to academic honesty.
The latter includes plagiarism and cheating. In addition, the continued registration of any student is contingent upon regular attendance, the quality of work, and proper conduct. Irregular class attendance, neglect of work, failure to comply with Institute rules, and official notices or conduct not consistent with general good order is regarded as sufficient reasons for dismissal.
Please silence or turn off the radio in your mobile phone (power down the phone or set to “Do Not Disturb” mode).
Please check your official email account on a daily basis, if not more often. I will broadcast announcements and send point-to-point communiques using your official email address.
Please note that I am not allowed to discuss your grade from an account that is not your official email account.
Pratt Institute is committed to the full inclusion of all students. If you are a student with a disability and require accommodations, please contact the Learning/Access Center (L/AC) at LAC@pratt.edu to schedule an appointment to discuss these accommodations. Students with disabilities who have already registered with the L/AC are encouraged to speak to the professor about accommodations they may need to produce an accessible learning environment.
Requests for accommodation should be made as far in advance as reasonably possible to allow sufficient time to make any necessary modifications to ensure the relevant classes, programs, or activities are readily accessible. The L/AC is available to Pratt students, confidentially, with additional resources and information to facilitate full access to all campus programs and activities and provide support related to any other disability-related matters.
Please submit your work on time. Late work will be penalized by a 10% reduction for each 24-hour period it is late. After one calendar week, the assignment will not be accepted and you will likely fail this class.
There will be no incomplete grades for this class except in the case of a documented emergency in the final weeks of the semester. If you experience such an emergency, please contact me immediately, and we will work out a schedule for you to complete the outstanding work before the beginning of the following semester.
But aside from these circumstances, no late work will be accepted and no “incomplete” grades will be granted. If you have difficulty keeping up with coursework, consider giving yourself extra time to complete assignments, reducing your overall course load, and/or taking this class at a later semester.
Note: Flexible deadline requests are the initial step in a dialogue; it is your responsibility to reach out to me with the length of extension you need.
Regular attendance is required and will count towards your grade.
Every two weeks, you will write an essay, about three-to-four pages in length, analyzing the film we screened in class based on the following elements of film style:
You may skip one of the papers or, if you write all six papers, I will drop your lowest grade for these assignments.
A brief, in-class midterm exam where you identify some of the terms we covered in the first half of the course.
We will take the midterm exam today in class. Review the outlines on form, narrative, and mise-en-scène.