Juan Monroy
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  1. Home
  2. Courses
  3. American Film Industry
  4. American Film Industry: Class 9, Hollywood vs. Television

American Film Industry: Class 9, Hollywood vs. Television

  • 1 Major Cultural Shifts
    • 1.1 Suburbanization
    • 1.2 Nuclear Families
    • 1.3 G.I. Bill
    • 1.4 Consumer Goods
  • 2 World of Tomorrow
    • 2.1 TV demonstrated at RCA Pavilion, 1939
    • 2.2 Uses radio waves to carry picture and sound
    • 2.3 Replacement for AM radio
    • 2.4 CLIP: Magic of Television (1941)
  • 3 Theater Television
    • 3.1 What to do with television?
    • 3.2 sporting events
    • 3.3 political speeches
  • 4 Domestic Medium
    • 4.1 Television would enter domestic sphere
    • 4.2 complement emerging suburbanization
    • 4.3 would erode movie audience throughout the 1950s
  • 5 Declining Theatrical attendance
    • 5.1 Hollywood’s response
    • 5.2 “An Experience not just Entertainment”
      • Risque Subjects
      • Color
      • Widescreen
      • Stereophonic sound
  • 6 Color
    • 6.1 Technicolor
      • Dye-Transfer
      • 3 Strip System
      • 1924–1954
    • 6.2 Eastman Color
      • Integral “Tri-Pack” Process
      • 1 Strip System (lowest cost)
      • adopted in 1952
  • 7 Widescreen Cinema
    • 7.1 Aspect Ratio
      • Academy Ratio
        • Silent Films: 1.33:1
        • Sound Films: 1.375:1
      • Widescreen
        • today’s common aspect ratio
        • 1.85:1
      • Cinemascope
        • on the extreme
        • 2.35:1
    • 7.2 Cinerama
      • Mike Todd, 1952
      • Three-Camera
      • Three-Projectors
      • Curved Screen
      • This Cinerama
      • Aspect Ratio 2.65:1
    • 7.3 Cinemascope
      • 20th Century-Fox, 1953
      • Anamorphic Lens
      • The Robe
      • Aspect ratio 2.66:1
      • CLIP: Will Success Spoil Rock Hunter?
    • 7.4 VistaVistion
      • Paramount, 1954
      • horizontal film
      • White Christmas
      • Aspect ratio: 1.66:1
    • 7.5 Todd-AO
      • Mike Todd and American Optical, 1953
      • 65–70mm film and variable focal length
      • Oklahoma (1955)
      • Aspect Ratio 2.20: 1
  • 8 Hollywood and Television
    • 8.1 Hollywood at first fights television
    • 8.2 Television needs content to fill schedule
      • British films on US television
      • “B” studios license movies for television broadcast
        • Monogram (1948)
        • Republic (1950)
      • Minors and Struggling Majors
        • RKO
          • struggling movie studio
          • licenses catalog
          • General Tire’s Million Dollar Movie
          • beginning in 1953
        • Disney
          • forms Buena Vista distribution
          • licenses movies for television broadcast
          • beginning in 1953
      • Remaining Major Studios
        • M-G-M Parade (ABC)
        • The 20th Century-Fox Hour (CBS)
        • Warner Brothers Presents (ABC)
    • 8.3 Disney Cleverly Exploits Television
      • Disneyland USA (ABC) series in 1954
      • promotes Disneyland Park (1955)
    • 8.4 Hollywood in the Age of Television
      • Hollywood initially fought television
      • Hollywood found new revenue from television
        • first, broadcasting old catalog
        • second, producing television programming
      • Hollywood would by decade’s end never recover from lost audience
        • film industry would suffer extreme losses of revenue
        • would remain a secondary entertainment medium to television

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