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  • 1 Best Years of Hollywood’s Life
    • 1.1 prosperous time for country
    • 1.2 US took on role of world superpower
    • 1.3 assisting other countries in rebuilding after World War II (Marshall Plan)
    • 1.4 highest box office attendance in 1946
      • 80 to 90 million a week
      • record of $1.5 billion box office
      • today, only 25 million a week go with box office at $10 billion
    • 1.5 Box office decline
      • 80–90 million a week in 1946
      • 47 million in 1957
      • 4000 theaters closed during those years
      • RKO ceased operations in 1957
  • 2 Hollywood and the Red Scare
    • 2.1 Early investigations
      • House Committee formed in 1937
      • investigating subversive
      • Martin Dees, Texas
      • Samuel Dickstein, New York
      • Led to Senate investigations in 1941 and 1943
    • 2.2 Chamber of Commerce
      • publishes report on COMMUNIST INFILTRATION IN THE US in 1945
      • alleges Communists trying to control entertainment and information media
      • Communists already infiltrated Screen Writers Guild
      • Chamber’s president, Eric Johnston, succeeds Will Hays as head of MPAA
    • 2.3 HUAC
      • aided by Motion Picture Alliance for Preservation of American Ideals
        • right-wing personal from Hollywood
        • testify publicly against their colleagues
      • pressured Eric Johnson
        • to dismiss all Communists in Hollywood
        • but he refused, challenged public to boycott
        • wanted Hollywood to set up blacklist
      • Witnesses
        • 23 friendly testified for a variety of reasons
        • Jack Warner saying “he had never seen a Communist and wouldn’t know if I saw one”
        • Louis B. Mayer vowing MGM would never hire a communist
        • anger directed against unfriendly witnesses so that industry could survive
      • J. Parnell Thomas
        • head of HUAC in September 1947
        • subponead 43 witnesses
        • trying to prove that WGA was dominated by communists
        • Oct 1947 they called 19 unfriendly witnesses
          • Ten were asked “are you now or have you ever been a member of the Communist party?”
          • all refused to answer and charged with contempt and sent to jail
          • 2 served prison terms for 6 months
          • 8 served for a full year
          • upon release, blacklisted, by virtue of Nov 1947 “Waldorf Peace Pact”
        • Hollywood Ten
          • Robert Scott
          • Edward Dmytryk
          • Samuel Ornitz
          • Lester Cole
          • Herbert Biberman
          • Albert Maltz
          • Alvah Bessie
          • John Lawson
          • Ring Lardner, Jr.
          • Dalton Trumbo
        • Effect
          • Blacklist would persist until late 1950s
          • Crusade destroyed Hollywood’s iconoclastic perspective, developed as an attempt to attract working-class audiences
          • Hollywood abandoned risque, violent, comic and fantastic films
          • Hollywood played it safe
  • 3 Anti trust action
    • 3.1 US vs. Paramount Pictures
      • charged Big 5 plus Little 3 of violating anti-trust laws
      • keeping indies out of market
      • Trust investigations began under NRA 1933
      • Federal government sued Paramount, July 1938
      • Vertically integrated charged in violation of Sherman Anti-Trust Act (1890)
    • 3.2 Consent Decree of 1940
      • studios had agreed to eliminate blind bidding
      • limit block-booking
      • curtail new theater acquisition
    • 3.3 Supreme Court Decision
      • US v. Paramount, Inc.
        • May 1948 SCOTUS decision
        • Compelled studios to divest of movie theaters
        • RKO & Paramount first to comply
      • declared Top 8 guilty of monopolistic practices in terms of first-run exhibition
        • block booking
        • blind bidding
        • price fixing
        • unfair runs/clearances
        • discriminatory pricing/purchasing agreements
      • Big 5 had to get rid of theater chains
      • all 8 had to stop block booking
    • 3.4 Immediate Effects
      • independent theaters had better selections
      • studios could now make bigger films since they had greater exhibition access
      • studios now had to concentrate on fewer but more expensive films
  • 4 Changing US demography
    • 4.1 people moved away into suburbs
      • Increased birthrate, nuclear families
      • GI Bill (leisure time)
      • Suburbanization
      • away from downtown theaters
      • Houses, automobiles, appliances, commodities (disposable income)
      • families became more selective about entertainment
      • initially they listened to radio
    • 4.2 profits of film industry plunged 74% from 1947–57
      • people more selective about what films they saw
      • 47 million in 1957
      • 4000 theaters closed
  • 5 Rise of Foreign Films
    1. runaway production & national producers of national films
    2. 5.1 proliferation of foreign/art house movies
    3. 5.2 post-WWII boom of US films overseas
    4. 5.3 protectionist measures (frozen funds) internationalize US film industry
    5. 5.4 Miracle decision (1952)
  • 6 Rise of television
    • 6.1 Introduced at World’s Fair in 1939
      • RCA Project
      • Used radio waves to transmit pictures and sound over remote distances
      • How does it work? RCA explains
    • 6.2 New dominant visual medium
      • by 1954 there were 32 million
      • 1960 90% of homes had TV
      • TV would radically alter many media industries
        • movies
        • newspapers
        • magazines
        • radio
  • 7 Last Gasp of MGM
    • 7.1 War-themed picture
    • 7.2 Mogul-Producer Arthur Freed
    • 7.3 Director-Coreographer:Gene Kelly-Stanley Donen
    • 7.4 Writers:Adolph Green-Betty Comden
    • 7.5 Musicals close to 25% of MGM output,1946–1955
    • 7.6 On the Town (1949)