Juan Monroy
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  1. Home
  2. Courses
  3. History of Cinema III
  4. Outline: Hollywood and the Entertainment Economy

Outline: Hollywood and the Entertainment Economy

  • 1 Announcements
    • 1.1 Summer Session
    • 1.2 Course Evaluations
    • 1.3 Final Exam
      • Format is similar to the midterm exam
      • Guide available on Course Website
      • Essays posted. Prepare 3/4
  • 2 Megapictures
    • 2.1 big money
      • “hitting home runs”
      • “winning the weekend”
      • long runs
      • segue smoothly to home video
      • merchandising
      • licensing
    • 2.2 precedent in the 1970s
    • 2.3 extremely profitable
      • ET: $400 million
      • Titanic: $600 million
    • 2.4 global sales outdraw domestic box office
      • Stallone
      • Schwarzenegger
      • Jurassic Park
      • Independence Day
      • Titanic
    • 2.5 films targeted young audiences
      • age 12–29
      • Hollywood genres catered to young tastes
        • science fiction
        • fantasy
        • horror
        • comedy
      • importance of summer movie season
    • 2.6 high concept
      • simple ideas
      • elevator pitch
      • three-line slogan
      • “marketing driving moviemaking”
    • 2.7 Production
      • high marketing costs
      • computer graphics
      • escalating costs for subsequent franchise films
    • 2.8 New Revenue Streams
      • Selling foreign distribution rights
      • Financing arrangements
        • revolving lines of credit
        • tax shelters
        • cash rich investors
      • Runaway Productions
        • Vancouver and Toronto
        • Eastern Europe and former USSR
        • Germany
      • Product Placements and Tie-Ins
        • Back to the Future: Pepsi
        • ET: Reese’s Pieces
        • Josie and the Pussycats
        • Tomorrow Never Dies: Ericsson, Smirnoff, and Heineken
        • Lion King: Toys ‘r’ Us
      • Music Video
  • 3 Packaging
    • 3.1 producers with inside connections
      • Joel Silver
      • Jon Peters
      • Peter Gruber
      • Don Simpson
      • Jerry Bruckheimer
      • Michael Ovitz
    • 3.2 Packaging
      • actors
      • writers
      • directors
    • 3.3 Talent Agencies
      • Creative Artists Agency
      • Endeavor
  • 4 Consolidation
    • 4.1 Major Distributors
      • Warner Brothers
      • Columbia
      • Paramount
      • 20th Century Fox
      • Universal
      • MGM/UA
      • Disney
    • 4.2 First Wave of Mergers: Diversified Conglomerates
      • Warner: Kinney National
      • Paramount: Gulf + Western
      • Columbia: Coca Cola
      • Universal: MCA
      • MGM/UA: Kirk Kerkorian
      • Disney: Buena Vista
    • 4.3 Second Wave of Mergers: Synergy
      • News Corp: 20th Century Fox
      • Sony: Columbia Pictures
      • Viacom: Blockbuster & Paramount
      • Walt Disney: Capital Cities/ ABC
      • Warner Brothers: Time Warner
      • Universal
        • MCA
        • Matsushita
        • Seagram
        • Vivendi
        • General Electric
        • Comcast
  • 5 Satellite Cable Television
    • 5.1 1970s
      • Open Skies
      • launch of Satcom I (1973)
    • 5.2 increased channel capacity
    • 5.3 national cable networks
      • HBO
      • WTBS
      • Showtime
    • 5.4 sold rights to films to pay television stations
      • aired movies after theatrical runs
      • financed productions
  • 6 Home Video
    • 6.1 format war
      • Sony Betamax (1976)
      • Matushita Video Home System (VHS) (1977)
    • 6.2 Hollywood initially skeptical of videocassettes
      • MCA/Universal & Disney sued Sony(1976)
      • copyright infringement
      • additional revenue source to home video
      • second theatrical runs
      • value of older films increased as they were released on video
    • 6.3 Popularity of Home Video
      • sales were more profitable than rentals
      • video income eclipsed box office revenues (1987)
      • growth of low budget independent films
    • 6.4 Digital Versatile Disk
      • better picture quality
      • consortium: Sony-Philips and Toshiba-Time Warner
      • introduced end of 1997
      • DVD sales were triple of domestic box office
  • 7 Theatrical Exhibition
    • 7.1 The Boom
      • popularity of blockbusters and mega pictures
      • new theaters built since the silent era
      • 38,000 screens in the US by 2000
    • 7.2 Multiplexes
      • large theaters divided by into two or three auditoriums
    • 7.3 Megaplexes
      • Cineplex Odeon
      • Sixteen screens or more
    • 7.4 Economies of Scale
      • centralized box office
      • projection booth
      • concessions
      • hits could offset flops
    • 7.5 Theater Bust
      • 2000–2001
      • over built theatrical capacity
      • single film playing all over town
      • consolidation and bankruptcy
    • 7.6 New Technologies
      • IMAX
      • 3D
      • digital projection

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