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History of Cinema III
Outline: Hollywood and the Entertainment Economy
Outline: Hollywood and the Entertainment Economy
1 Announcements
1.1 Summer Session
1.2 Course Evaluations
1.3 Final Exam
Format is similar to the midterm exam
Guide available on Course Website
Essays posted. Prepare 3/4
2 Megapictures
2.1 big money
“hitting home runs”
“winning the weekend”
long runs
segue smoothly to home video
merchandising
licensing
2.2 precedent in the 1970s
2.3 extremely profitable
ET: $400 million
Titanic: $600 million
2.4 global sales outdraw domestic box office
Stallone
Schwarzenegger
Jurassic Park
Independence Day
Titanic
2.5 films targeted young audiences
age 12–29
Hollywood genres catered to young tastes
science fiction
fantasy
horror
comedy
importance of summer movie season
2.6 high concept
simple ideas
elevator pitch
three-line slogan
“marketing driving moviemaking”
2.7 Production
high marketing costs
computer graphics
escalating costs for subsequent franchise films
2.8 New Revenue Streams
Selling foreign distribution rights
Financing arrangements
revolving lines of credit
tax shelters
cash rich investors
Runaway Productions
Vancouver and Toronto
Eastern Europe and former USSR
Germany
Product Placements and Tie-Ins
Back to the Future: Pepsi
ET: Reese’s Pieces
Josie and the Pussycats
Tomorrow Never Dies: Ericsson, Smirnoff, and Heineken
Lion King: Toys ‘r’ Us
Music Video
3 Packaging
3.1 producers with inside connections
Joel Silver
Jon Peters
Peter Gruber
Don Simpson
Jerry Bruckheimer
Michael Ovitz
3.2 Packaging
actors
writers
directors
3.3 Talent Agencies
Creative Artists Agency
Endeavor
4 Consolidation
4.1 Major Distributors
Warner Brothers
Columbia
Paramount
20th Century Fox
Universal
MGM/UA
Disney
4.2 First Wave of Mergers: Diversified Conglomerates
Warner: Kinney National
Paramount: Gulf + Western
Columbia: Coca Cola
Universal: MCA
MGM/UA: Kirk Kerkorian
Disney: Buena Vista
4.3 Second Wave of Mergers: Synergy
News Corp: 20th Century Fox
Sony: Columbia Pictures
Viacom: Blockbuster & Paramount
Walt Disney: Capital Cities/ ABC
Warner Brothers: Time Warner
Universal
MCA
Matsushita
Seagram
Vivendi
General Electric
Comcast
5 Satellite Cable Television
5.1 1970s
Open Skies
launch of Satcom I (1973)
5.2 increased channel capacity
5.3 national cable networks
HBO
WTBS
Showtime
5.4 sold rights to films to pay television stations
aired movies after theatrical runs
financed productions
6 Home Video
6.1 format war
Sony Betamax (1976)
Matushita Video Home System (VHS) (1977)
6.2 Hollywood initially skeptical of videocassettes
MCA/Universal & Disney sued Sony(1976)
copyright infringement
additional revenue source to home video
second theatrical runs
value of older films increased as they were released on video
6.3 Popularity of Home Video
sales were more profitable than rentals
video income eclipsed box office revenues (1987)
growth of low budget independent films
6.4 Digital Versatile Disk
better picture quality
consortium: Sony-Philips and Toshiba-Time Warner
introduced end of 1997
DVD sales were triple of domestic box office
7 Theatrical Exhibition
7.1 The Boom
popularity of blockbusters and mega pictures
new theaters built since the silent era
38,000 screens in the US by 2000
7.2 Multiplexes
large theaters divided by into two or three auditoriums
7.3 Megaplexes
Cineplex Odeon
Sixteen screens or more
7.4 Economies of Scale
centralized box office
projection booth
concessions
hits could offset flops
7.5 Theater Bust
2000–2001
over built theatrical capacity
single film playing all over town
consolidation and bankruptcy
7.6 New Technologies
IMAX
3D
digital projection