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- Early Film to World War II
- Early Film: France in the 1930s
- 1 Depression Years
- 1.1 European Fascism
- 1.2 French industry hit hard by the Depression
- Production sector was very fragmented
- Some companies would produce only one film but then failed
- Overall production was very poor
- 2 Fantasy and Surrealism
- 2.1 tendency continued from the silent era
- 2.2 present in filmmakers such as Rene Clair and Jean Vigo
- 2.3 distinguished from filmmaking in Hollywood and throughout Europe
- 3 Rene Clair
- 3.1 Le Million
- musical film
- winning lottery ticket that’s lost in a jacket
- surrealists influences including the relationship between
sound and image
- 4 Jean Vigo
- 4.1 surrealist tendencies
- 4.2 made only four films before his death at age 29
- 4.3 A Propos de Nice (1930)
- 4.4 Taris (1931)
- 4.5 L’Atalante (1934)
- 4.6 Zero for Conduct (1933)
- 5 Poetic Realism
- 5.1 Qualities of Poetic Realism
- 5.2 contemporary scenarios
- often urban settings
- set in present day or recent past
- realist mise-en-scène
- 5.3 gritty realism
- crime was common
- shadowy figures and lighting
- realist cinematography
- 5.4 Le Jour Se Leve (Marcel Carné, 1939)
- Francois kills Valentin
- locks himself in a room
- flashbacks
- in love with flower shop girl Françoise and Carla
- Valentin becomes jealous of his relationship with the
women
- Valentin threatens him
- Francois shoots him
- film ends with police at his door
- Police gas his room
- Francois despairs and kills himself
- Francois’s body surrounded by the gas filling the room
- 5.5 Pepe Le Moko (Julien Duvivier, 1936)
- Pepe is a gangster hiding in the casbah of Algiers
- mise-en-scene plays a key role, where Pepe gets lost
- cinematography highlights the exotic locale
- anticipates film noir movement
- 6 Jean Renoir
- 6.1 son of impressionist painter Auguste Renoir
- 6.2 most celebrated filmmaker of the pre-World War II era
- 6.3 Crime of Mr. Lange (1936)
- influenced by Popular Front movement
- M. Lange works at a publishing company
- form a collective after the death of Batala
- Lange publishes his stories
- Batala returns from the dead and Lange kills him
- Lange and Valentine go on the lam
- 6.4 La Grande Illusion (1937)
- World War I film
- critical of warfare
- two French aviators are shot down by Germans
- held captive
- try to escape and chased by Germans
- the men manage to cross the border to Switzerland and are let
go
- shows the triumph of humanity that transcends war loyalties
- 6.5 La Marseillese (1938)
- depiction of the French Revolutions
- different perspectives
- citizens of Marseille
- German aristocrats
- King Louis XVI
- 6.6 Rules of the Game (1939)
- perhaps Renoir’s greatest film but poorest commercial success
- depicts parallels between aristocracy and the servants
- tangled love, lots of infidelity and unrequited love
- innovation: the long take and the deep focus
- 7 World War II
- 7.1 France entered the War in 1939
- 7.2 War stopped most film production
- 7.3 German forces occupied France in 1940
- 7.4 Right-wing government established in Vichy
- 7.5 Most filmmakers went into hiding or exile
- 7.6 Some filmmakers remained made films under the Vichy Government