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1 |
First World
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1.1 |
capitalist nations
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1.2 |
Western Europe, US, Australia, Japan
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2 |
Second World
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2.1 |
socialist nations
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2.2 |
USSR, Eastern Europe, China
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3 |
Bandung Conference
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3.1 |
Birth of "Third World" movement
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non-aligned nations
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(post) colonial nations
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Asia, Africa, and Latin America
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4 |
Third World
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4.1 |
Colonialism
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colonized
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neocolonized
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decolonized
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4.2 |
"Minorities"
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political
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economic
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4.3 |
Vocabulary
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backward
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primitive
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underdeveloped
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4.4 |
Revolution against Western imperialism and neocolonialism
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Franz Fanon: "Colonial minds structured by Western Imperialism"
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Mao: "People of the world unite and defeat the US aggressors and all their running dogs!"
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Organization of Solidarity with the People of Asia, Africa and Latin America, Havana, 1966
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5 |
Third World revolutions
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5.1 |
Cuban Revolution 1959
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5.2 |
Red China split with USSR 1960
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5.3 |
Algerian independence 1962
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5.4 |
Palestinian Liberation Organization 1964
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5.5 |
Ho Chi Minh National Liberation Front 1960s
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6 |
Age of "Three" Cinemas
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6.1 |
First Cinema
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narrative
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Hollywood
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6.2 |
Second Cinema
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non-narrative, avant-garde
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European modernist "new wave" movements
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7 |
Third Cinema
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7.1 |
more militant than neorealist movements around the world
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7.2 |
premises
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all art is deeply political
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domination of Hollywood in the Third World became a target
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reject the politics that masqueraded as entertainment
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offer the viewer a politically liberating film experience
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7.3 |
Fernando Solanas and Octavio Getino
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cinema is part of a collective
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portrays truth and inspires action
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exist outside of state and commercial censorship
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8 |
Third Cinema Genres
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8.1 |
mass struggles against imperialism
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8.2 |
exile film
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8.3 |
plumbed indigenous cultures
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9 |
Style
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9.1 |
rejected the gloss of Hollywood spectacle
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Good Neighbor Years
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stereotypes
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9.2 |
rawness was itself a political statement
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9.3 |
Direct Cinema
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fast and inexpensive
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mobile camera
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using available light
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9.4 |
Soviet Montage
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Cuba
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Argentina's Cine Liberation
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New Chilean Cinema
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9.5 |
Neorealism
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non-professional actors
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location shooting
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10 |
Theory
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10.1 |
Solanas and Getino "Towards a Third Cinema" (1969)
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10.2 |
Julio Garcia Espinosa "For an Imperfect Cinema" (1969)
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11 |
Cuba
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11.1 |
Revolution 1959
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expropriated land
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executed officials
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nationalized economy
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Soviet satellite state
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11.2 |
ICAIC: Cuban Institute of Film Art and Industry
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center of Cuban film culture
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film archive
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film journal: Cine cubano
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vertical integrated: production, distribution, exhibition
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cine móviles: trucks screening films
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11.3 |
Revolutionary Cinema
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peaked 1966-1971
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documentaries
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rejected Socialist Realism
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11.4 |
Cinema Modernist influences
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flashbacks
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flashforwards
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elliptical editing
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collage forms
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12 |
Argentina
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12.1 |
Fernando Birrí
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critical and realistic "cinema of discovery"
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12.2 |
fall of Juan Perón
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military coup 1966
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shut down legislature
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disbanded political parties
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suppressed labor movement
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film industry
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attempted to impose quota on US films
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commissioned sanctioned works
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folklore
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official histories
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12.3 |
Hora de los Hornos (1968)
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collage form
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Direct Cinema
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staged scenes
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dense soundtrack
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revolutionary quotes in titles
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three parts
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Neocolonialism and Violence
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An Act for Liberation
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Violence and LIberation
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12.4 |
Cine Liberation
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sympathetic towards Perón
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Peron's return in 1973
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Getino became head of film censorship board
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